Modernity fragments the synaesthetic experience into specific compartments filled with fractional knowledge. From this perspective, an outsourced experience becomes recurrent that moves away from the cyclical organicity of experiences and reaffirms an autonomous rationality. Much of this thought is incorporated into industrial production, splitting the work into parts that are not understood as agents in the product's result.

As a figurative artistic proposition, the kinesthetic premise is established beforehand because it is the closest to what is assimilated as real. Life in its everyday aspects is by sensory category. The understanding of an acoustic space that involves the dimensions of a museum or exhibition environment is therefore the objective of this proposal. As Marshall McLuhan says “(...) a space that has no center or margin, different from the strictly visual space, which is an extension of the eye (...)” Therefore, it is from the questioning of the kinesthetic and multifaceted expression that establish this project